Audio Technica's AT5040 ticks all the boxes of a typical high end phantom powered condenser mic with its discrete component design, low noise, high SPL handling and decent shock mount. After all, the focus is typically on the general frequency response, pick up pattern, build quality and sound. With a new large diaphragm condenser mic there's rarely anything unusual to discuss. The smooth response also lends itself to complex sounds such as guitar amp, strings and percussion.
With acoustic guitar it's easy to capture a non-boomy sound, and once again the non-hyped sound is great. As a vocal mic the Aria delivers a faithful sound, and when you dig in with more forceful delivery it responds very well. So the sweet spot is large, which is particularly useful for vocals and acoustic guitars. In use we feel the cardioid polar pattern is pretty broad both in horizontal and vertical directions. These feel solid and although there is a small proximity effect, it's not at all overbearing. So, one's attention is drawn to the lows and low mids. Beyond this there's no high frequency hyping, or the brittleness that plagues mics of that ilk. There's definitely a slight presence lift, but this is in the upper mids rather than right into sibilant territory. With everything plugged up, the first thing that's obvious with the Aria is just how natural it sounds. The only variable is that you have to use your own A/D converter to get it into your DAW. What you get with the VMS is a high-quality, large capsule condenser mic, a dedicated ‘ultra linear’ mic pre and a plug-in which contains the modelled mics. Slate Digital have taken that idea and built a complete system which removes as many of those variables as possible.
#GOOD USB MICROPHONE FOR SINGING PLUS#
There have been a few plugs over the years which have claimed to give one mic the character of another but, given the limitations of the original mic, coupled with any number of mic pres that could have been used, plus the quality of the interface that recorded it, most of them have been pretty disappointing.
#GOOD USB MICROPHONE FOR SINGING SOFTWARE#
So in theory, if you can emulate them with software then you should be on to a winner. With an original Neumann U47 commanding up to $10,000, most of these mics are out of reach for the average studio owner, and certainly only possible for a tiny minority of home studios. Instead, we’ve highlighted a couple of high performers for your consideration.Ĭlassic large capsule condenser microphones are without a doubt amongst the most sought-after and expensive items on anyone’s wish list. As such, it’s difficult to single out an overall ‘best in class’ mic, as everyone’s requirements will be different.
The recording microphones we’ve rounded up in this guide each excel in their own field, whether that’s accurately recording the unique tonality of a vintage acoustic guitar or grand piano, embellishing the sound of a great vocal performance, or providing that velvet-smooth broadcast voice track. Best microphones for recording: Our top picks We’ve featured these mics in price order to help you find the right one for your budget. So, read on to discover our top choices for the best microphones for recording musical instruments and beyond. The microphones we’ve chosen sit across a variety of budgets and ability levels, and we’d happily use any microphone on this list in our own recordings. In this guide to the best microphones for recording, we’ll explain the key differences to look out for when choosing among the different recording mics available, and we'll aim to give you a clear idea of which mics are best suited to which applications.
That said, there can be excellent value found at all price levels. It also pays to invest in the best studio mic that your budget will allow. But not all mics are created equal, as we’ll outline here. Essentially, you need a recording microphone capable of accurately capturing a quality audio signal – that's a basic for any record producer or musician.
0 kommentar(er)
